Lemmings

Release Date: 1991
Platform(s): Amiga, ST, PC, Other Ports
Developer: DMA Design
Genre: Puzzle

Few games other than Tetris can claim to have appeared on as many formats as this historic action puzzler. Dave Jones, the founder of DMA Design, claims to have lost count at twenty, and that was before the numerous PlayStation and mobile iterations were added to the list.

Famously, the idea was conceived almost by accident, when artist Mike Dailly was experimenting with the animation of tiny characters in an 8 x 8 pixel grid. Programmer Russel Kay saw the results and pronounced: "There's a game in that." And there certainly was.

At first glance, perhaps, Lemmings looks like a standard late-1980s platformer, its sparse yet neat visual style presenting teeny, teeming sprites.But it is, in fact, a masterpiece of sandbox design, allowing players endless ways to complete each level. Over a vast series of levels, the player must guide a set number of tiny lemming characters from the entrance to the exit, avoiding hazards such as lava pools and large falls. Instead of directly controlling the critters, however, there is a range of eight skills that can be designated to individuals via a point and click interface.

The builder skill, for example, allows a lemming to construct a staircase across a chasm, while bashers, miners, and diggers all create differently angled holes in platforms to create new routes. It is up to the player to decide how, the available skills should be used to solve each level.

Press coverage at launch was very enthusiastic, and 55,000 copies flew from shop shelves on day one (impressive at the time). The ensuing conveyor belt of sequels and conversions led to subsequent sales of more than fifteen million units. Alongside contemporaries such as Worms and Populous, it's a defining work in the British game design canon.

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EverQuest

• Release Date: 1999
• Platform(s): PC
• Developer: Sony Online Entertainment
• Genre: MMORPG

In the 1990s, role-playing games already had a solid and devoted fan base, with opportunities to imagine great fantasy worlds while acting out the life and times of any class, race, or even sex of choice. By late in the century, multi-user games of increasingly cutting-edge visuals were braving the fledging Internet. it wasn't until the arrival of EverQuest, however, that the entire experience of online role-playing was elevated and thrust into the true 3-D age.

Requiring a quick, consistent Internet connection and an expensive 3-D graphics card, EverQuest occupied a niche of a niche in 1999. But such technology is used to its full potential, the classic fantasy world of Norrath coming to life in a way that captured gamers' imaginations and kept them coming back for more... and more... and more for a surprisingly long time.

Oh, sure, the svelte elves aren't outfitted to survive sprawling plains, mountains, and cavernous dungeons, but hell if they don't lure leering players to unload a few precious gold pieces to aid a fawning damsel in undress. Or you can take on a noble paladin role, vanquishing this and dispelling that; or skulk with the rogues; or cast with the mages; or so many other options that the world experience appears endless. You explore, learn trades and skills, as well as languages and even a whole new shorthand vocabulary (including the oh-so-appropriate moniker, EverCrack).

No doubt building a world and game mechanic from scratch brings attendant teething problems, imbalances, and even straight up breakages, but between the zone exploration, the ambition, and opportunity for socializing with fellow gamers, the overall experience compels any RPG fan to commit for a long, long haul.

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Command & Conquer: Red Alert

• Release Date: 1996
• Platform(s):  MS-DOS, Windows, PlayStation
• Developer: Westwood Studios
• Genre: Strategy

Real-time strategy games tend to be fairly serious sorts of experiences. They're about war, for one thing, which is already serious enough, and they're generally enormously taxing and demanding, requiring players to take in an entire battlefield's worth of information, to isolate threats very quickly, and react to devastating changes on the fly.

Command & Conquer: Red Alert features some hectic conflicts

So it's no surprise that Command & Conquer is a fairly serious real-time strategy game. Series offshoot Red Alert, however, really isn't. Red Alert is a counterfactual real-time strategy, turning on the notion that Einstein went back in time Adolf Hitler when he was still a nobody (already things are becoming fairly unserious), only to return to his own to find the Allies hard at war in Europe, fighting against a massive Soviet war machine that has sprung up in the absence of Nazi Germany. It could happen. What's less likely to happen, however, is the development of some of the units that Red Alert lets you mess around with. These include science-fiction standards like Tesla Coils, capable of zapping troops in a flurry of electricity. Subsequent games would take this concept further until, in Red Alert 3, you were firing armoured bears at enemies or dispatching tanks that transformed into fighter jets.

That said, despite the wobblier sets and campier acting, Red Alert remains serious about being a game. Factions and units are well balanced, maps are clean tactical spaces, and the user interface sets the genre's standard. With the series getting loopier and loopier with every installment -- the Russian shock trooper in hot pants -- Red Alert remains a necessary antidote to the glum world conflicts of the main Command & Conquer plotline, providing an explosion of colour in a heavily cratered landscape.

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Star Wars: TIE Fighter

• Release Date: 1994
• Platform(s): PC
• Developer: Totally Games
• Genre: Shoot 'Em Up

Star Wars: TIE Fighter features visceral space combat

It was perfect symmetry. Before making Star Wars: TIE Fighter, designer Lawrence Holland of Lucasfilm Games created a suite of World War II dogfighting games, including Secret Weapons of the Luftwaffe. For Star Wars' space dogfights, George Lucas looked to The Dam Busters and 633 Squadron for inspiration. When Holland was asked to think about creating a space combat game, he quickly realized that he and Lucas were already looking squarely at the same sources. The result was a series of games that represent some of the best file tie-ins ever created.

The secret is in the subtle blend of strict adherence to Star Wars lore and a willingness to design imaginatively on top of them. Immediately striking are the intense, twisting dogfights against star fields streaked with beams of bright, green and orange laser fire, as well as the iconographic lines of Star Wars' distinctive spacecraft. But the meat lies in one of gaming's most beautiful mechanics: your craft's power system. Demanding that you delicately balance your finite energy supply between lasers, engines, and shields, you are continually asked to think about how to approach each situation. Dump all your power into engines for speed, and you'll risk running out of lasers and having no protection when you meet trouble.

Star Wars: TIE Fighter, which has you fight for the Empire, features smoothly shaded fighters and meticulously designed missions. And though you might assume you'd always want to fight for the plucky Rebellion, the game's vision of dark political intrigue oozing below a veneer of mundane bureaucracy is gripping. It remains a terrible thrill to pilot a craft as fragile and feather-light as a regular TIE. Showing Star Wars from the dark side resulted in one of the most enthralling visions of its universe.

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Star Wars Jedi Knight: Dark Forces II

• Release Date: 1997
• Platform(s): PC
• Developer: LucasArts
• Genre: First-Person Shooter

Imagine the pressure. The original Dark Forces successfully coats a doom-like first-person shooter with the veneer of the Star Wars universe, it delights gamers, sells well, and a sequel goes straight into production. The anticipation for the next installment of Kyle Katarn's adventures was through the roof, and LucasArts delievered a stunning shooter experience that integrated role-playing style, Jedi power progression, and story choices into a more traditional run-and-gun action product. And it introduced lightsabers, Oh, yes, the lightsabers.

A Fierce Looking ATAT

Building a system that would fluidly switch to a third-person perspective when Katarn draws out the big stick proved to be a significant technical hurdle that was executed perfectly. Katarn's story as a former Imperial officer turned mercenary takes a huge leap forward when he uncovers the force. Now he can learn new Force powers and choose whether to follow the Light or Dark path on a quest to find his father's murderer.

It's a gripping progression that invests the player with an important role in this post-Return of the Jedi story-line. Even after the single-player plot-line is exhausted, it's easy to replay, choosing different Jedi powers and experiencing the story from the other side. Then you can take those skills online in a multiplayer mode that pits Light against Dark Jedis in classic four-player match-ups.

This package set a new ambition bar not just for all future Star Wars games, but for the first person shooters in general. As three-dimensional graphics cards were gaining a foothold, this game was one very good reason to join the revolution, if you hadn't already. For fans of the series, all it takes is for that famous score to start playing, and the chills run down their spines.

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Rogue

• Release Date: 1980
• Platform(s): Unix
• Developer: Michael Toy, Glenn Wichman, Ken Arnold
• Genre: Strategy / Role-Playing

Rogue first appeared on college Unix systems in 1980. It contains an infinite variety via a series of randomly generated, ASCII-rendered dungeons that must be explored in a bid to retrieve the Amulet of Yendor (Rodney spelled backwards) from somewhere behold the twenty-fifth level -- an unlikely achievement given the imposing difficulty of even the earliest dungeon layers.

Practically no information is disclosed to the player, so every new game is a voyage of discovery, not just the dungeon's layout, but also of the monsters and items within. Progression to the deeper parts of the dungeon is such a rarity that there are inevitably new monsters to meet. Quaffing potions and reading scrolls along the way is always a calculated risk; you might discover that you've just gulped down a potion of strength ("You feel stronger. What bulging muscles!"), but if you've guzzled a potion of blindness ("A cloak of darkness falls") you can kiss goodbye to any chance of surviving to the later levels.

Other obstacles include simple hunger, which can wipe out even the bravest of adventurers;dead ends; and a cruel variety of traps.

One of Rogue's Many Randomly Generated Dungeons (Click to Enlarge)

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Grand Theft Auto: San Andreas

• Release Date: 2004
• Platform(s): PlayStation 2, PC, Xbox
• Developer: Rockstar
• Genre: Action

With sales of more than 20 million copies since ts launch in 2004, Grand Theft Auto: San Andreas is the biggest-selling PlayStation 2 game of all time, and not without reason. Though initially a game about gang bangers and turf wars in a fictional Los Angeles (Los Santos), channeling scenes from Menace II Society and Boyz N the Hood, it blossoms into an ode to the entire West Coast. Three whole cities -- the others being San Fierro (San Francisco) and Las Venturas (Las Vegas) -- create a game four times bigger than Grand Theft Auto: Vice City, home to just about every idea from Rockstar's whiteboards. Weight gain, pimping missions, robberies, drive-bys, swimming, clothes shopping, martial arts, casino games, horse racing -- the list goes on and on.

The hero this time is Carl "CJ" Johnson, a Los Santos native who returns for his mother's funeral after five years in Liberty City. Chaos greets him, his neighbourhood falling to gang violence while rivalries and suspicions break up his family. Blackmailed by the crooked Officer Tenpenny (voiced by Samuel L. Jackson) and distracted by girlfriends, hippies, and everyone in between, he gradually unearths the secrets behind his mother's murder, following the clues to the far ends of the map.

Just as important as the urban centers of San Andreas are the spaces in between: the rural
retreats and vast open roads that turn the game into a road movie. No Grand Theft Auto before or since has let you point toward a random horizon and just keep on driving, capturing that post-Woodstock spirit of movies like Easy Rider and Vanishing Point. None has featured a more star-studded cast, either, or so many ways of getting from point A to B via X, Y and Z. Though it lacks an occasional dab of polish, Grand Theft Auto: San Andreas is an embarrassment of riches.

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The Incredible Machine

• Release Date: 1992
• Platform: MS-DOS, 3DO, Macintosh
• Developer: Dynamix
• Genre: Puzzle

Emergent game play and physics-based interactivity may seem like fresh concepts, but it was The Incredible Machine that really introduced these major game components almost twenty years ago.

Without a doubt inspired by the ridiculously elaborate contraptions imagined by cartoonist Heath Robinson and Rube Goldberg, The Incredible Machine tasks players with inventing their own devices to carry out a series of simple actions. On each level an objective is give, ranging from popping a series of balloons to launching rockets to re-housing goldfish. A range of "useful" components is provided in limited quantities, which can be dragged and dropped onto the game space to construct the relevent machine. Basketballs, flashlights, and pulleys all figure -- as do mice, cats, and monkeys on bicycles -- and all can be variously combined to complete the tasks.

The beuty of the game is its accurate simulation of gravity, inertia, and other vital physical processes. Just as important, there is no one way to complete each level, and emergent approach that encourages endless exploration. The game also comes with a sandbox mode in which users are free to construct their own machines from scratch.

The game was a huge success on the PC (later appearing on the Mac and 3DO console), and creators Kevin Ryan and Jeff Tunnell would carry on to oversee two sequels, as well as a range of spin-offs, before their company, Dynamix, was dissolved in 2001. The series would surface again in 2007 as a mobile adaptation, courtesy of Vivendi. Two years later, Tunnell brought back the rights and further titles were planned. After a decade-long hiatus, the machine is finally being switched back on.

Incredible Machine can get wild sometimes.

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Age Of Empires

• Release Date: 1997
• Platform: PC
• Developer: Ensemble Studios
• Genre: Strategy

While advances in video games are typically characterized by leaps in technology or game play innovation, lateral crossover is also important. Like some novel technology concocted in one of its temples, Age of Empires crossed two existing game play templates and boiled down the result to produce a new branch in strategy gaming.

The first parent was Civilization, Sid Meier's brilliant 1991 title. Devotees loved it, but its complexity and turn-based mechanics put off many more. By the mid-90s, real-time strategy offered a more accessible way for armchair generals to marshal their forces. The best-selling strategy games -- Command & Conquer and Warcraft -- and their copycats were science-fiction or fantasy affairs. What Ensemble Studios (including designer Bruce Shelley, who worked on Civilization with Meier) did was meld Civilization's historical trappings and empire building idea with the genre's game play and pretty graphics.

The result, Age of Empires, was an approachable take on dictatorship with enough historical finery to satisfy all but the most bookish rulers. Assuming leadership of one of a dozen peoples, from the Greeks and the Babylonians to the Japanese Yamato civilization, you guide your race from being hunter gatherers through several transitions to create a dominant Iron Age culture. The twelve civilizations are divided into four main group, each one with its own distinctive architectural style. The emphasis is on military progressions, though victory conditions include building a Wonder, such as an Egyptian pyramid. On the fighting front, dubious artificial intelligence, later patched, and Age of Empires launched a globe-conquering franchise that eventually sold twenty million units.

Camels, Elephants, and everything in between. Age Of Empires features a large  variety of units.

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Civilization

Release Date: 1991

Platform: PC

Developer: Microprose Software

Genre: Strategy

Want to make a PC gamer of certain age cry? Whisper "Civilization" in his or her ear. There are any number of reasons why the tears might flow, but it's likely because more sleep, weekends, job, and relationships have probably been lost to Civilization than any other game.

This seminal strategy experience is vast. Beginning with just a settler wandering a hostile world 4,000 years before Christ, you found first a city and, through your choices, a civilization capable of defeating all its rivals or of sending a spaceship to distant Alpha Centauri. Blocking your path is the land unknown, barbarians, and rival civilizations, and the tools at your disposal to run the gamut from trade and diplomacy to all out hostilities.

You decide what civilization you'll play, choosing from the Mongols, the Romans, and other past and present contenders for the title of global superpower. Your choice affects trivial matters such as the names of your cities  or the colours of your army: Civilization's genius is that this decision does not determine the paths your people follow.

The technology tree does that; a brilliantly conceived flowchart of human progress that has been copied by most strategy games in the wake of Civilization. By researching, for instance, the wheel, you can unlock further related technologies, such ass transport or vehicular combat units. Few areas of human endeavour are ignored, but since you can only research on thing at a time, your civilization is shaped by the order of the choices you make.

With day-to-day tasks ranging from war to farming to transport planning to developing the Wonders of the World, the demands on the player are immense. What's incredible then, is how the game manages to make time disappear as you play. If you've got a night to kill, the set it aside to play Civilization.

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Metal Gear Solid

• Release Date: 1998
• Platform: PC, PS1
• Developer: Konami
• Genre: Stealth

When designer Hideo Kojima brought his Metal Gear series to PlayStation, he did more than just kick-start the most popular stealth franchise in gaming history. He began a conversation that continues today, sharing his fears of nuclear holocaust, his distrust of the industrial-military complex, his love of movies like The Guns of Navarone and You Only Live Twice, and his sympathy for the soldiers discombobulated by war. "Ghosts of the battlefield," he would call them, putting a fresh slant on the tired old cliché of the video game action hero.

Egoraptor's parody: Metal Gear Awesome

Retired special agent Solid Snake has been dispatched to Shadow Moses, a remote fortified island in Alaska. His mission is to quell and uprising staged by FOXHOUND, a terrorist cell in control of the island's secret: a walking nuclear doomsday weapon called Metal Gear Rex. Little does Snake realize that its mastermind, codenamed Liqud Snake, is actually his genetic twin, part of a government project to breed the ultimate soldier. His lieutenants, furthermore, are psychopaths and assassins with their own twisted agendas. The government calls them traitors, but can anything be that simple in this new world order?

If you think that sounds convoluted, wait until it gets going. Kojima isn't a man to use five words when fifty will suffice and didn't make a game to be played only once. The threads established here would multiply tenfold in games to come, as would the options for combat and stealth. Officially a "sneaking" game, Metal Gear Solid is fast and relatively forgiving; escape often as simple as hiding under a cardboard box. Intensely cinematic with its reaction shots and cut scenes, it's more fondly remembered for toying with that illusion: one boss's weakness being a quick change of controller port.

Metal Gear Solid revolves around stealth combat.

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Battlefield 1942

• Release Date: 2002
• Platform: PC, Mac
• Developer: Digital Illusions CE
• Genre: First-Person Shooter

Battlefield 1942 puts intelligence into multiplayer team-based shooters. PC players had been ganging up since Half-Life Team Fortress, and limited coordination was hinted at as early as Starsiege: Tribes. But by placing multiclassed team combatants within cunningly designed Word War II arenas, Battlefield 1942 forced the issue, making for an epic multiplayer behemoth that rolled over and crushed the opposition.

The core action takes place in loosely authentic theatres of war in the game's "Conquest" mode, which pits two historically appropriate armies against each other: the British versus the Germans in Europe, or the Japanese versus the United States Of America in the Pacific. Each team is assigned control points, typically villages or islands, where action begins, from which fallen soldiers can re-spawn as one of several specialized character classes. Fighting side-by-side with other players -- up to thirty-two in total -- you battle to seize control of these strategic points, forcing back the enemy and depleting the tickets that end the game at zero. Every death reduces tickets too, nearly forcing players to fight for their lives rather than go on suicide missions or camp at home.

The game also plays smart by dumbing down, enabling you to drive, pilot, or plunge to your death in dozens of vehicles -- from jeeps and tanks to aircraft carriers and airplanes -- but it rids fussy control variations in favour of a cartoon-like equivalence. The graphics engine copes well, with ceaseless cinematic moments emerging from the random actions of you and your comrades.

It all conspires to unite far-flung and (often idiotic) online gamers to give the illusion of a cohesive fighting force locked into battle. Think Wacky Races meets Medal Of Honor -- and don't get too snooty, because the result is a blast, and it spawned a true masterpiece.

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Age Of Mythology

• Release Date: 2002
• Platform: PC, Mac
• Developer: Ensemble Studios
• Genre: Strategy

Ensemble didn't take risks. It didn't have to. From the moment the historical strategy game Age Of Empires launched in 1997, its course was set: It would be king of real-time strategy, absurdly successful, regardless of whatever naysayers might claim about the PC and Mac platforms. The studios owner Microsoft closed the studio in 2009, and it didn't seem to add up. No developer knew how to be a reliable money-factory quite as well as Ensemble.

Age Of Mythology, the studio's first game for Microsoft, doesn't take risks either. It does quite the opposite, dragging the fantastical elements that less successful rivals tend toward into its own straitlaced but highly polished strategy structure: harvesting wood and stone, building bases in exact order, deftly making every unit a precise rock to some other soldier's paper or scissor. Ensemble took someone else's risk and made it into the most sensible thing in the world. It has Minotaur and sphinx and Valkyrie, but somehow they arn't an outlandish pretense among the more familiar cavalry, swordsmen and archers. Instead, they're smart, strategic high-end units, vital to tipping the game's mathematically precise balance into your favour. Age Of Mythology knows exactly what it's doing, and being in the company of mythical beasts doesn't change the solid formula one bit.

Age Of Mythology may have played it safe, but it did suggest Ensemble might be a little more playful from thereon in. That didn't happen. Next in line came the button-downed Age Of Empires III, and then Halo Wars as the studio's last dying breath. That leaves Age Of Mythology as an aberration; perhaps the only game where this one-time king of studios allowed its own character to appear alongside its unsullied strategy-design skill.

The Trojan Horse

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The Elder Scrolls III: Morrowind

• Release Date: 2002
• Platform: PC, Xbox
• Developer: Bethesda Game Studios
• Genre: Action/Role-Playing

The Elder Scrolls games are best known for the fourth chapter in the series, Oblivion, released in 2006. In comparison,The Elder Scroll's Morrowind is altogether more of a curate's egg, neither as commercially successful nor critically applauded as it's successor. Perhaps because of that, however, it's also a much more interesting game. This isn't the traditional fantasy of the later version; instead it is a weird blend of traditional fantasy with people and places that are characterized by an almost eerie other-worldliness.

One thing that is true of both games is the unparalleled freedom that their creators have blessed upon the players. More than many other similar games, The Elder Scrolls III: Morrowind contains entire societies and cultures that are completely convincing (and, by including the Elder Scrolls construction set, even allowed players to create their own).

In one inspired piece of design, the tutorial contains the entire character creation process as part of the narrative, with attributes and skills generated by the choices the player makes while describing their character's background to a prison bureaucrat. In another, character skills advance as players use them. If you want to become good at say, sword-fighting, you simply keep sword-fighting.

For a set of rules designed to let gamers play without worrying about the numbers, the latter system is easy to exploit by anyone who wants to artificially inflate their abilities. In this, however, it is also a well-intentioned, albeit a bit flawed piece of design -- but flawed in such a way that it enriches the experience. The Elder Scrolls III: Morrowind grants players the freedom to play it as an experience, absorbing the story and forging their own, or as a set of rules, to be ransacked with an obsessive-compulsive eye for exploits in a bid to "beat" the game.

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Baldur's Gate II

Release Date: 2000
Platform: PC
Developer: BioWare
Genre: Role-Playing

In 1988, SSI's Gold Box series redefined the Western idea of the RPG genre. They took the single most important set of pen-and-paper rules -- Advanced Dungeons & Dragons -- and tied them to an epic series of campaigns that spanned entire continents and several games, breathing life into Gary Galax's legendary creation. Running out of steam in the early 1990s, however, the D&D franchise was left to languish. Until, that is, BioWare created Baldur's Gate. The effect was like stepping through the rainbow, like moving from black-and-white to colour.

Baldur's Gate was teaming with life in a way that no other RPG had ever been. Where the Gold Box games had provided hack-and-slash gaming supported by blocky graphics, Baldur's Gate offered would-be adventurers an abundance of quests and meaningful interactions across huge playing fields;across intricately detailed, beautifully rendered isometric recreations of a completely convincing fantasy medieval world.

The transition between Baldur's Gate and Baldur's Gate II: Shadows of Amn was every bit as pronounced. The sequel may have streamlined the interface, but it bulked out the playing experience. Like the Gold Box games, players could import their characters and items from a previous game, and as those characters grew in power, so the game changed to reflect their newfound influence. Building up their own strongholds and followers, they were free to lead their own way through a labyrinthine plot that weaved together divergent and mutually exclusive subplots and quests -- indeed, some subquests were as weighty and complex as the entire first game.

As far as gaming goes, it's a satisfying complexity that has yet to be eclipsed. Indeed, Baldur's Gate II is probably still the pinnacle of the Western RPG.

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Quake

• Release Date: 1996
• Platform: PC
• Developer: id Software
• Genre: First-Person Shooter

Despite being a pioneer of full three-dimensional graphics in the first-person genre-- or perhaps because of it--Quake is a master class in level design. It's brightly confident in it's grasp of space and solidity; even the difficultly and episode selection is its own memorable environment. The game crams in jumping puzzles, a secret area, and is also capable as serving as an unlikely death match arena. In fact, if you pick any of Quake's two dozen or so levels, you'll find that the critical path is less a line than a rabid dance lesson.

Chiseled into rock or beaten out of metal, Quake's forbidding angles remain unique, haunted by the ghosts of the games it could have been as id's designers fought between a dark fantasy RPG and a science fiction shooter. Though it was the instigator of the "brown corridor" visual treatment, there's art and intention to the oppressive monotone. Its disconnected areas are thick with a sense of place, of eye-catching incidental detail, stranded in crushing blacks: vaults hemmed with silver crosses, the massive embossed metal Jesus, charnel house window settings for apocalyptic stained glass.

All anchored by one of the great pre-music collaborations between developer and composer. Nine Inch Nail's front man Trent Reznor's amazing soundtrack is at turns deafening, oily, and pitiless, and never less than part of Quake's texture. Aural cues sound out environmental hazards and forwarn of enemies well enough to play blind (or a blind panic). In a Quake level, Run isn't a toggle, it's a commandment, and the numerous strengths within this title turn a game that should have been a "what if" into a "this is".

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StarCraft

• Release Date: 1998
• Platform(s): PC
• Developer: Blizzard Entertainment
• Genre: Real-Time-Strategy

StarCraft was the first western title to pin it's success on South Korea. There was something about this real-time sci-fi strategy game that touched a nerve, making StarCraft a staple of the country's multi-player PC cafes, which were emerging in the 1990s, leading to the sale of 4.5 million copies in the territory. It also helped to establish South Korea's professional gaming scene.

Of course, with more than 11 million sales worldwide, StarCraft is one of the best-selling PC games ever made. Yet while initial reviews were unanimously positive, it's fair to say that no one foresaw StarCraft as being quite the success that it has become. Despite the isometric graphics, the game isn't especially impressive, and less successful rival games have an edge in RTS innovation with unit control and resource management.

But StarCraft has a very special trick up its sleeve: three completely distinct and playable races. The Terrans (Humans), the Zerg (nasty, swarm aliens), and the Protoss (high tech, religious warriors) all have their own units that don't just look different but play diffferently too. For instance, as Zerg you can burrow underground and attempt to overwhelm your opponent with sheer numbers, while as Protoss you have fewer units, but much more powerful weapons at your disposal. Upon release, no reace was blatently over powered, and Blizzard has maintained this balance very well with occasional patches that address multiple tatics.

The combination of diversity and balance is extremely difficult to achieve, Blizzard overcame this challenge with StarCraft and followed it up with a well deserved sequel, StarCraft II.

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