Star Wars Jedi Knight: Dark Forces II

• Release Date: 1997
• Platform(s): PC
• Developer: LucasArts
• Genre: First-Person Shooter

Imagine the pressure. The original Dark Forces successfully coats a doom-like first-person shooter with the veneer of the Star Wars universe, it delights gamers, sells well, and a sequel goes straight into production. The anticipation for the next installment of Kyle Katarn's adventures was through the roof, and LucasArts delievered a stunning shooter experience that integrated role-playing style, Jedi power progression, and story choices into a more traditional run-and-gun action product. And it introduced lightsabers, Oh, yes, the lightsabers.

A Fierce Looking ATAT

Building a system that would fluidly switch to a third-person perspective when Katarn draws out the big stick proved to be a significant technical hurdle that was executed perfectly. Katarn's story as a former Imperial officer turned mercenary takes a huge leap forward when he uncovers the force. Now he can learn new Force powers and choose whether to follow the Light or Dark path on a quest to find his father's murderer.

It's a gripping progression that invests the player with an important role in this post-Return of the Jedi story-line. Even after the single-player plot-line is exhausted, it's easy to replay, choosing different Jedi powers and experiencing the story from the other side. Then you can take those skills online in a multiplayer mode that pits Light against Dark Jedis in classic four-player match-ups.

This package set a new ambition bar not just for all future Star Wars games, but for the first person shooters in general. As three-dimensional graphics cards were gaining a foothold, this game was one very good reason to join the revolution, if you hadn't already. For fans of the series, all it takes is for that famous score to start playing, and the chills run down their spines.

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1943

• Release Date: 1987
• Platform(s): Arcade
• Developer: Capcom
• Genre: Shoot 'Em Up

The year that the war ground on may have been 1943, when rationing continued to bite down hard, construction work on the Pentagon was completed, and the Japanese forces were driven back from Guadalcanal, but it's a whole lot more enjoyable if you think of it as this wonderful little vertical-scrolling shooter from Capcom, released for the delight of the arcade-going populas in 1987.

The sequel to Capcom's cracking 1942, 1943 is set in the Pacific as the player fights off waves of oncoming enemies to take the battle to the heart of the Japanese fleet. Once again, victory depends on mastery of standard and special attacks, as you take down spinning, cycling, warping, and flipping waves of oncoming aircraft and ground troops, fighting elaborate boss battles and collecting brilliant power-ups. The health system has been modified somewhat, but the game remains as challenging as ever, and overall success is still as unlikely. (Although the introduction of two-player cooperative action evens out the odds a little, especially during the larger boss confrontations.) Like the previous title, 1943 is now considered one of the kings of the one-credit-play-through challenge, popular among a particularly hardcore group of the game's fans.

Having created the arcade iteration, Capcom handled a home version for the NES, but a cast and unwieldy range of ports across different platforms range widely in terms of quality and degrees of fidelity. Faced with such a compromised muddle, if you're itching to re-stage the Battle Of Midway in entirely unrealistic terms today, you'll probably want to hunt down the mighty Capcom Classics Collection -- a generous PS2/Xbox compilation -- which features this game, along with many other greats, and has some rather delightful menus to boot.

They just never stop coming

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Rogue

• Release Date: 1980
• Platform(s): Unix
• Developer: Michael Toy, Glenn Wichman, Ken Arnold
• Genre: Strategy / Role-Playing

Rogue first appeared on college Unix systems in 1980. It contains an infinite variety via a series of randomly generated, ASCII-rendered dungeons that must be explored in a bid to retrieve the Amulet of Yendor (Rodney spelled backwards) from somewhere behold the twenty-fifth level -- an unlikely achievement given the imposing difficulty of even the earliest dungeon layers.

Practically no information is disclosed to the player, so every new game is a voyage of discovery, not just the dungeon's layout, but also of the monsters and items within. Progression to the deeper parts of the dungeon is such a rarity that there are inevitably new monsters to meet. Quaffing potions and reading scrolls along the way is always a calculated risk; you might discover that you've just gulped down a potion of strength ("You feel stronger. What bulging muscles!"), but if you've guzzled a potion of blindness ("A cloak of darkness falls") you can kiss goodbye to any chance of surviving to the later levels.

Other obstacles include simple hunger, which can wipe out even the bravest of adventurers;dead ends; and a cruel variety of traps.

One of Rogue's Many Randomly Generated Dungeons (Click to Enlarge)

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Grand Theft Auto: San Andreas

• Release Date: 2004
• Platform(s): PlayStation 2, PC, Xbox
• Developer: Rockstar
• Genre: Action

With sales of more than 20 million copies since ts launch in 2004, Grand Theft Auto: San Andreas is the biggest-selling PlayStation 2 game of all time, and not without reason. Though initially a game about gang bangers and turf wars in a fictional Los Angeles (Los Santos), channeling scenes from Menace II Society and Boyz N the Hood, it blossoms into an ode to the entire West Coast. Three whole cities -- the others being San Fierro (San Francisco) and Las Venturas (Las Vegas) -- create a game four times bigger than Grand Theft Auto: Vice City, home to just about every idea from Rockstar's whiteboards. Weight gain, pimping missions, robberies, drive-bys, swimming, clothes shopping, martial arts, casino games, horse racing -- the list goes on and on.

The hero this time is Carl "CJ" Johnson, a Los Santos native who returns for his mother's funeral after five years in Liberty City. Chaos greets him, his neighbourhood falling to gang violence while rivalries and suspicions break up his family. Blackmailed by the crooked Officer Tenpenny (voiced by Samuel L. Jackson) and distracted by girlfriends, hippies, and everyone in between, he gradually unearths the secrets behind his mother's murder, following the clues to the far ends of the map.

Just as important as the urban centers of San Andreas are the spaces in between: the rural
retreats and vast open roads that turn the game into a road movie. No Grand Theft Auto before or since has let you point toward a random horizon and just keep on driving, capturing that post-Woodstock spirit of movies like Easy Rider and Vanishing Point. None has featured a more star-studded cast, either, or so many ways of getting from point A to B via X, Y and Z. Though it lacks an occasional dab of polish, Grand Theft Auto: San Andreas is an embarrassment of riches.

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The Incredible Machine

• Release Date: 1992
• Platform: MS-DOS, 3DO, Macintosh
• Developer: Dynamix
• Genre: Puzzle

Emergent game play and physics-based interactivity may seem like fresh concepts, but it was The Incredible Machine that really introduced these major game components almost twenty years ago.

Without a doubt inspired by the ridiculously elaborate contraptions imagined by cartoonist Heath Robinson and Rube Goldberg, The Incredible Machine tasks players with inventing their own devices to carry out a series of simple actions. On each level an objective is give, ranging from popping a series of balloons to launching rockets to re-housing goldfish. A range of "useful" components is provided in limited quantities, which can be dragged and dropped onto the game space to construct the relevent machine. Basketballs, flashlights, and pulleys all figure -- as do mice, cats, and monkeys on bicycles -- and all can be variously combined to complete the tasks.

The beuty of the game is its accurate simulation of gravity, inertia, and other vital physical processes. Just as important, there is no one way to complete each level, and emergent approach that encourages endless exploration. The game also comes with a sandbox mode in which users are free to construct their own machines from scratch.

The game was a huge success on the PC (later appearing on the Mac and 3DO console), and creators Kevin Ryan and Jeff Tunnell would carry on to oversee two sequels, as well as a range of spin-offs, before their company, Dynamix, was dissolved in 2001. The series would surface again in 2007 as a mobile adaptation, courtesy of Vivendi. Two years later, Tunnell brought back the rights and further titles were planned. After a decade-long hiatus, the machine is finally being switched back on.

Incredible Machine can get wild sometimes.

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